Alan Dunyo Avorgbedor's interdisciplinary practice spans visual art, sound, and critical inquiry, exploring the intersections of technology, culture, and embodied experience.

Through video, photography, performance, and electroacoustic composition, he excavates the material and affective qualities of media, from the tactile intimacy of analog systems to the complex abstractions of digital networks. His research, spanning architectural theory, media studies, and cultural epistemologies of the Black Atlantic, informs his artistic practice, investigating local technicities and the poetics of culturally informed technological and spatial encounters, as demonstrated in publications such as ‘To Dance the Other’, ‘Ewe Metaphysics, Formal Interrogations, and the Visual Art of Sela Adjei’ and his recent contributions to architectural history scholarship. His recent performance, 'Memento Machina,' exemplifies this exploration, meditating on technological mortality through the interplay of analog video feedback and digital synthesis. His electroacoustic work, exemplified by the archival, disjunctive, and meditative soundscapes of 'Dear Gita,' reflects on the impact of Structural Adjustment Programs on Caribbean nations, weaving samples from disparate policy related ephemera into a guided reflection on debt, power, and postcolonial precarity. This portfolio offers a glimpse into Alan's ongoing investigation of process, obsolescence, and the enduring resonance of cultural and technological memory.